Audience Band

Gli Audience sono un gruppo rock progressivo britannico attivo dal 1969 al 1972, e riformatosi nel 2004. La formazione originale comprende: Howard Werth (chitarra acustica, elettrica e voce), Keith Gemmell (sax tenore, flauto e clarinetto), Trevor Williams (voce e basso), Tony Connor (voce e batteria).

Storia del gruppo

La nascita

Gli Audience nacquero nel 1969 dalle ceneri di una soul band semi-professionale chiamata Lloyd Alexander Real Estate che comprendeva tutti i membri dei futuri Audience con l'eccezione di Connor, che entrò nel gruppo dopo la partenza di John Richardson. Dopo qualche settimana di prove, gli Audience avevano già firmato un contratto di incisione con la Polydor, con la quale registrarono il loro primo album Audience. Alla fine dell'anno, l'album era già acclamato dal pubblico e dalla critica. Il gruppo fu notato da Tony Stratton-Smith, Direttore della Charisma Records che li prese come gruppo di spalla al tour dei Led Zeppelin, associandoli alla sua etichetta. Gli Audience registrarono tre album per la Charisma: il primo album Friend's Friend's Friend fu interamente curato dal gruppo, sia per l'incisione che per la grafica di copertina. Per gli altri due si avvalsero del celebre produttore Gus Dudgeon, che per i successivi The House on the Hill e Lunch volle far curare i disegni di copertina dall'altrettanto celebre studio di grafica Hipgnosis. Seguirono tre anni di continuo lavoro con un buon successo: tuttavia, un tour americano con Rod Stewart e i Faces, anche se riuscito, portò alcuni problemi che provocarono la fuoriuscita di Gemmell dal gruppo prima di terminare l'album Lunch, che fu completato con la collaborazione dei Rolling Stones e dei Mad Dogs and Englishmen. A seguito della defezione di Gemmel, la band arruolò due nuovi elementi: Pat Charles Neuberg al sassofono e Nick Judd al pianoforte elettrico.

Lo scioglimento

La nuova formazione non funzionò e Williams, l'autore di quasi tutti i testi,se ne andò otto mesi più tardi. Quando Nick Judd ricevette un'offerta dai Juicy Lucy, la band si sfasciò. Judd se ne andò, unendosi successivamente ad Alan Bown, The Andy Fraser Band, Brian Eno, Frankie Miller e gli Sharks. Keith Gemmell si unì da principio agli Stackridge, poi si occupò di colonne sonore e infine si unì alla Pasadena Roof Orchestra, dove suonò per quattordici anni. Trevor Williams si unì ai Nashville Teens, che lasciò dopo poco. Tony Connor, dopo una parentesi con i Jackson Heights, si unì agli Hot Chocolate, con cui è rimasto.

Il ritorno in attività

Nel 2004, Howard Werth, Keith Gemmell e Trevor Williams ritornarono sulle scene, sostituendo Tony Connor con il batterista e cantante John Fisher, tenendo dei concerti in Germania, Italia, Canada e Regno Unito e registrando un album dal vivo per la Electric Record dal titolo alive&kickin'&screamin'&shoutin' . Durante questo periodo, Gemmell registrò due album da solo, "The Windhover", ispirato ad un poema di Gerard Manley Hopkins e "Unsafe Sax".

Gli Audience stanno attualmente considerando il loro futuro, a seguito della morte di John Fisher, avvenuta il 27 settembre 2008 a causa di un tumore al pancreas.

Discografia

Album in studio

1969 - Audience (Polydor)
1970 - Friend's Friend's Friend (Charisma)
1971 - The House on the Hill (Charisma)
1972 - Lunch (Charisma)

Album dal vivo

2005 - Alive & Kickin' & Screamin' & Shoutin' (Eclectic Discs)

Audience is a cult British art rock band which existed from 1969 until 1972 and then from 2004 until 2013.

The original band consisted of Howard Werth (born Howard Alexander Werth, 26 March 1947, The Mother's Hospital, Clapton, East London) on nylon-strung electric acoustic guitar and vocals; Keith Gemmell (born Keith William Gemmell, 15 February 1948, Hackney Hospital, Hackney, East London - died 24 July 2016, Beltinge, Kent) on soprano and tenor saxophone, flute and clarinet; Trevor Williams (born Trevor Leslie Williams, 19 January 1945, Hereford General Hospital, Hereford, Herefordshire) on bass guitar and vocals; and Tony Connor (born Anthony John Connor, 6 April 1947, Romford, Havering) on drums and vocals. Also did some of the soundtrack for a British mod film Bronco Bullfrog released in 1969. Needs clarification.

Formation

Audience rose from the ashes of a semi-professional soul band named 'Lloyd Alexander Real Estate', which had included all the Audience members except Connor, who had unsuccessfully auditioned for the earlier band when John Richardson left to form The Rubettes. However, when Werth, Williams, and Gemmell decided to form their new band, they thought of Connor. The 'Lloyd Alexander Real Estate' issued one 45rpm single on President PT157 in 1967 "Gonna Live Again"/"Watcha' Gonna Do (When Your Baby Leaves You)", a Mod R&B record.

Within weeks of starting rehearsals, Audience had acquired management, a publishing contract, a residency at Ronnie Scott's Jazz Club, and a recording contract with Polydor, with whom they recorded their first album Audience, an acoustic guitar-driven album featuring Gemmell's saxophone often electrically altered to resemble an electric lead guitar and with string and horn arrangements by Andrew Pryce Jackman. But the band was dissatisfied with the record company's promotional approach (a single, "Too Late I'm Gone" from the album had been planned and was cancelled), and temporarily moved to Switzerland to avoid involvement in proposed publicity stunts.

By the end of the year, the band was drawing public and journalistic acclaim for their songs, arrangements, and stage act. They had also been commissioned to write the score for Bronco Bullfrog, an East End skinhead film directed by Barney Platts-Mills, which established a genre subsequently taken up by Mike Leigh.

Recordings

After the debut album issued on Polydor, Tony Stratton-Smith, Director of Charisma Records, spotted the band supporting Led Zeppelin and signed them up to his label immediately. Audience recorded three albums with Charisma. The first, Friend's Friend's Friend, was produced and designed by the band. Their subsequent releases House on the Hill and Lunch were produced by Gus Dudgeon, with arrangements by Robert Kirby and cover art by record sleeve designers Hipgnosis.

Their first two albums were not issued in the U.S. Elektra signed them up and their final two albums were issued in the U.S.

Dudgeon's first 45 rpm production for the band, "Indian Summer", took them into the lower reaches of the U.S. charts, but by this time they were exhausted and fractious, having worked virtually non-stop for three years. A U.S. tour with Rod Stewart and The Faces and Cactus, although successful, brought things to a head, resulting in Gemmell leaving the band in January 1972.

The unfinished Lunch album was completed with the help of The Rolling Stones and Mad Dogs and Englishmen brass section, Jim Price and Bobby Keys, following which they went straight back on the road with new members Nick Judd on keyboards and Pat Charles Neuberg on alto and soprano saxophone.

Break-up

The band never recovered from Gemmell's departure; and Williams, the band's main lyricist, resigned eight months later. When Judd received an offer to join Juicy Lucy shortly thereafter, the band folded. Judd later went on to join Alan Bown, The Andy Fraser Band, Brian Eno, Frankie Miller and Sharks, most recently emerging in a Madness spin-off band.

By this time, Keith Gemmell had joined Stackridge, later to form Sammy, whose sole album was produced by Ian Gillan of Deep Purple, then on to The Roy Young Band. During this time he was also doing session work and arranging, often together with film soundtrack writer John Altman, before joining the Pasadena Roof Orchestra for fourteen years.

Howard Werth was working on his first solo album at this time, still with Charisma and produced by Dudgeon. Called King Brilliant, his band, containing members of Hookfoot and with Mike Moran on keyboards, was dubbed Howard Werth and The Moonbeams, and came close to having a chart hit with Lucinda. However, it wasn't to be, and when he was headhunted by The Doors (Audience stable-mates on the U.S. Elektra record label) to replace Jim Morrison, Werth left for the USA. The Doors did not reform, and Werth found himself engaged in various short term projects with Doors' keyboard man Ray Manzarek and musicians from Captain Beefheart and The Magic Band before returning to the UK in the early 1980s. Although appearing live only occasionally, Werth later recorded two more solo albums, 6 of 1 and Half a Dozen of the Other on Demon Records and The Evolution Myth Explodes for his own Luminous Music label.

Trevor Williams joined 1960s hitmakers The Nashville Teens, a version driven by Len Tuckey, who left shortly after to help his girlfriend Suzi Quatro launch a career with Mickie Most. Williams moved on to Jonathan Kelly's Outside, recording one single, Outside, and an album Waiting On You with a band fronted by the twin guitars of Snowy White and Chaz Jankel plus ex-Graham Bond drummer Dave Sheen and percussionist Jeff Whittaker, formerly with Peter Green and Crosby, Stills and Nash. After this, he drifted back to The Nashville Teens, this time with friend Rob Hendry – ex-Renaissance guitarist, and later with The Motors and Alan Price – in a misconceived project to revitalise the band's image and fortunes. When this foundered, Williams left the business entirely.

Tony Connor also ended up with Mickie Most. After a stint with Jackson Heights, a spin-off from The Nice, he joined one of Most's stable, Hot Chocolate, with whom he has remained.

Reunions

Despite a few minor projects together, the original Audience band members were not to re-emerge as a working entity until 32 years after their dissolution. In 2004, Howard Werth, Keith Gemmell and Trevor Williams performed in Germany, Italy, Canada and the UK, replacing Tony Connor (who remained committed to Hot Chocolate) with drummer/vocalist John Fisher (born 8 December 1960, Buxton, Derbyshire - died 27 September 2008) and recording a live album alive&kickin'&screamin'&shoutin' for Eclectic Records. During this period, Gemmell released two solo albums, The Windhover, inspired by a poem by Gerard Manley Hopkins, and Unsafe Sax, a tribute to his early '60s soul roots.

Following the death of John Fisher from pancreatic cancer on 27 September 2008, Audience recruited drummer Simon Jeffrey, who also worked with Bernie Torme, Led Zeppelin tribute band Letz Zep and Blue Pulse, which Trevor Williams joined in 2009. Audience played its final gig at London's 100 Club in 2013 shortly after which Keith Gemmell, already fighting cancer, became too unwell to play. Williams subsequently announced he did not wish to continue without Gemmell but continues to work with Blue Pulse, with whom he released an album entitled Trams in 2012, with Howard Werth also performing on several tracks.

Keith Gemmell died from tongue cancer on 24 July 2016.

Personnel

Howard Werth - guitars, vocals (1969-1972, 2004-2013)
Trevor Williams - bass guitar, vocals (1969-1972, 2004-2013)
Tony Connor - drums, vocals (1969-1972)
Keith Gemmell - saxophones, flute, clarinet (1969-1972, 2004-2013; died 2016)
Nick Judd - keyboards (1972)
Pat Charles Neuberg - saxophones (1972)
John Fisher - drums, vocals (2004-2008; his death)
Simon Jeffrey - drums, vocals (2008-2013)

Discography

Studio albums

1969 Audience
1970 Friend's Friend's Friend
1971 The House on the Hill
1972 Lunch

Compilations

You Can't Beat 'Em (Charisma), 1973) (The LP cover spine suggests this title, but it appears nowhere else)
Unchained (Charisma/Virgin, 1992)

Live album

Alive & Kickin' & Screamin' & Shoutin' (Eclectic Discs, 2005)

Singles

1971 : "Belladonna Moonshine"/"The Big Spell"
1971 : "Indian Summer"/"It Brings a Tear"/"Priestess" (#74 on the Billboard Hot 100)
1971 : "You're Not Smiling"/"Eye to Eye"
1972 : "Stand by the Door"/"Thunder and Lightnin'"