Pedro Abreu
New York,, NY, United States
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Pedro Abreu United States
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Faces, Limited Edition 5 of 16 Printed on Archval materials.
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LoversPhotography, 13 W x 19 H x 1 D in
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Mother's lovePhotography, 19 W x 13 H x 0.3 D in
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"Portrait of a lady in white", Limited Edition 10 Printed on archival materials.Photography, 13 W x 19 H x 0.1 D in
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Purgatory, Limited Edition of 10 Printed on archival fiber paperPhotography, 19 W x 13 H x 0.1 D in
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The Agony, Edition 4 /10 Printed on Archival materials.Photography, 16 W x 11 H x 0.1 D in
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"The
Icecream vender",Limited Edition 2 of 10 Printed on Archival materials.Photography, 19 W x 13 H x 0.1 D in
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New Media, 19 W x 13 H x 0.1 D in
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He draws inspiration from his immediate surroundings and shoots just at the right moment to capture the mystical momentum rather than the narrative.
His motives are of unknown protagonists at non-places. In the moment of taking a picture, the situations seem to arise spontaneously, which in combination with his working methods makes Pedro Abreu photography authentic.
His documentary character is undeniable.
Pedro has a clear distinction from photojournalism because his photographs incorporate artistic composition with a shifted and often non-linear focus.
Where the street has a clear narrative, his personal view is more abstract and even opaque at times.
Context is deliberately absent or left vague, allowing the viewer to create their own reality.
Following Pedro Abreu photography is always fascinating; his work is spontaneous, mysterious, intimate, witty, and sad at the same time.
He earned his BFA at the Cooper Union School of Art and Architecture in New York City.
As an independent artist, Pedro has exhibited in numerous solo and group shows internationally including the Independants Salon des Artistes in Paris and Museo del Barrio in New York. At the time He became part of the Semi-Annual show at the Bronx Museum in New York.
In his newest project "Ghosts in the Streets" is a series of images accumulated over the years. The photos focus on the interactions between people and their immediate surroundings.
"It's difficult the way I experience my photographs, but it always comes back to the fact that I am driven by the need to create images that challenge one's sense of reality. The street experience affords us the chance for new beginnings. I hope that in some way my pictures can help us question and expand our own ghostly visions."
"Most Impressive is the work of Pedro Abreu, a photographer and painter whose images date from the seventies till present and reveal a consistently astute eye for spatial surprises, saturated colors and the illusionary aspects of everyday life.
A prime example is with its overhead view of a man and a woman playing chess and dog on the roof of a New York City apartment building."
Art review: Roberta Smith
-New York Times
Education
After
studying painting and graphic design at Cooper Union, New York City,
and Rhode Island School of Design, he earned his BFA at the Cooper Union
School of Art and Architecture. Pedro Abreu began his photography
career in 1974 working for local NY magazines.
"I feel so lucky to have studied with some of Arts prominent teachers, that included; Will Barnet, Dore Ashton, Hans Haacke, Don Kuntz, Herbert Lubalin, Jay Maysel, Arnold Newman, Gary Winogrand, Jack Steward, Joel Meyerowitz." With this combination of friends and teachers, Pedro was able to become the photographer that he aspired to be; capturing the light, color, and gesture found in everyday life. This unique vision kept him busy for over 35 years shooting photographs for annual reports, magazine covers, jazz, and pop albums, commercial advertising, and more for an array of U.S.based clients. He continues to sell his prints, which can be found in private, corporate, and museum collections. Pedro continues to focus on his personal photographing and painting work.
At the moment Pedro is working on his photographic book project, "Ghosts in the Streets"
"I feel so lucky to have studied with some of Arts prominent teachers, that included; Will Barnet, Dore Ashton, Hans Haacke, Don Kuntz, Herbert Lubalin, Jay Maysel, Arnold Newman, Gary Winogrand, Jack Steward, Joel Meyerowitz." With this combination of friends and teachers, Pedro was able to become the photographer that he aspired to be; capturing the light, color, and gesture found in everyday life. This unique vision kept him busy for over 35 years shooting photographs for annual reports, magazine covers, jazz, and pop albums, commercial advertising, and more for an array of U.S.based clients. He continues to sell his prints, which can be found in private, corporate, and museum collections. Pedro continues to focus on his personal photographing and painting work.
At the moment Pedro is working on his photographic book project, "Ghosts in the Streets"
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